Ecology and the Poetic Turn

18 07 2022

Well, this was a lovely discovery today: I happened to come across a video of an online service for a Unitarian Universalist congregation, and the theme for service was “Ecology and the Poetic Turn.”

Multiple participants take part in the service, but it’s pulpit guest Freesia McKee whose contributions focus on the topic. In her opening remarks, McKee discusses ecopoetry and the volta, noting that voltas are those points at which “the poem cuts deeper.” She also notes how the volta’s sharp turns can “foster insight for the creator and the experiencer alike.” Additionally, McKee notes that voltas aren’t just the stuff of poetry: they also occur in real life–and she recounts some of the many voltas she experienced on walks while living in Indiana, sharp turns between, as she puts it, alienation and belonging.

In the second part of her contribution to the service, McKee reads some of her own work–poems and a micro-essay.

If you have a few minutes, I hope you’ll check this out–it’s some lovely, smart, insightful, moving stuff–

And, if you’re interested in exploring further some of the links between ecopoetry and the poetic turn, you might check out the posts on this site that present Nicholas Royle on veering and Peter Sachs on “the dolphin’s turn.”





John Keats and the Dolphin’s Turn

8 09 2016

Previously on this blog, I’d reflected upon (and praised!) Peter Sack’s notion of the “dolphin’s turn.” As I noted in that post:

According to Sacks, the dolphin’s turn is “a transformative veering from one course to another, a way of being drawn off track to an unexpected destination…”  (Sacks adds: “[T]his turn is paradigmatic for the transportation system of poetry itself, both in its technical “versing,” and in its thematic and figural changes.”)  The dolphin is associated with such turning, of course, because it is a creature that itself is always transgressing boundaries, leaping and diving.

In large part, Sacks’s lecture (which you can listen to here) is an analysis of the dolphin’s turn as it occurs in a variety of poetic works, from the “Homeric Hymn to Pythian Apollo” to poems by Mandelstam, Celan, Bishop, and others.

One poem Sacks did not mention, but which I think deserves mention, is John Keats’s verse epistle to his brother George, and I make my case for my view over at the Keats Letters Project. (You can link directly to it here.)

While you should read Sacks, and perhaps my extension of his thinking, Keats’s verse epistle is required reading for those who love poetic turns. Dive in!