For poet Adam O’Riordan, a sonnet stripped down to its most essential form is a sonnet focused on the turn. In “The Sonnet as a Silver Marrow Spoon,” O’Riordan recounts how, as a young sonneteer, he was overwhelmed by the demands of the sonnet form, and so he focused instead on the sonnet’s structure, which swerves around the volta.
It’s a lovely short essay on the power of the turn, one that emphasizes structure over form–an endeavor shared with this blog’s posts and pages. (See especially “The Structure-Form Distinction.”)
After you’ve read O’Riordan’s essay, be sure to read Richard Wilbur’s amazing “This Pleasing Anxious Being,” referred to by O’Riordan. And then be sure to check out some of O’Riordan’s own sonnets, which take some lovely, intricate turns. Two can be found here.
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